More from Bruge--Weaving Lace and Stories

Bruge is famous for its lacework. How did they make lace before modern machinery? By hand, of course. The art of braiding this type of lace is tricky. This lace is called bobbin lace. Bobbins are used to hold the threads on a small pillow. Originally, the bobbins were made from bones, so it is also known as bone lace. And sometimes it's called pillow lace as well. For more pictures, click on this Wikipedia link.

Stories are woven together also. Some of the threads of a story would include the characters, the setting, and the plot. Each story forms a different pattern, just like lace.

I've done only a little weaving in my day, on a small loom and knitting and crocheting as well. It's tough to keep all the strands in line, forming the pattern you want. It's tough to keep them from becoming tangled sometimes.

So it is with a story too. I work hard at twisting the plot here and turning a character there or weaving in the setting--just right. This week I'm revising a couple short stories and reviewing a middle grade chapter book in progress. I'm untangling a few knots here and there in each, trying to make wonderfully woven stories for my readers to enjoy.

Sometimes that involves a fair amount of unraveling--which makes it especially hard to keep the pattern of the story in tact. But a completed story, intricately woven with beauty and finesse, is always worth all the hard work.

Now, I'm back to my story weaving.

Characters in Real Life and Fiction

Today over at the KIDLIT CENTRAL blog I've posted an entry about "Characters & Perspective." I take a couple of my characters along for an airplane ride. Monsters don't necessarily travel well.

Where do authors get ideas for their fictional characters? From real life, of course. We mix and match and makeup stuff as we go along to create just the right characters for each story. 

But when an author like me knows such a vibrant real life character like Lucy-- the Glamour Dog, then I  don't have to add much fictional flair to fashion a fun character. 

Take a look at this picture of Lucy after she decided to try Pink Bubble Gum lip gloss.

She's dog-gone adorable!

Peachy Weekend

I (and a group of local children's authors) spent a great time last weekend in historic Hermann, Missouri--a scenic wine town along the Missouri River. http://www.hermannmissouri.com/ We stayed at Captain Wohlt's Inn where innkeeper, Mat Wilkins took special care of all us. http://www.captainwohltinn.com/

Senior Editor, Lisa Mathews, joined our company and provided us with many interesting insights into children's literature. http://www.peachtree-online.com/info.aspx

Here's her explanation of STORY STRUCTURE:

1. Act I: Setup—here is the mood/tone, hook, catalyst, antagonist (which can be a situation as well as a person), the intro to the MC/personality, the issue which will lead to the turning point—conflict must come right away. There does not have to be a great deal of setting and character analysis right at first. It’s more important to have action with a purpose which propels the story
2. By the end of Act I, there should be a problem/turning point (a challenge revealed)
3. Act II—problem intensifies/ a barrier/ complication
4. Character has a temporary triumph
5. New info (a reversal) leads to more problems/ and perhaps a deadline looms
6. Dark Moment—the MC fails (or seems to) and the goal seems even farther away
7. Another turning point—the MC has to make a decision
8. Act III—the final obstacle (MC is pushed to her limit)
9. Climax—she faces the obstacle
10. Resolution

Lisa also spoke of a STEP OUTLINE for help in writing a story.
In this type of outline, a phrase/sentence for each chapter provides a very brief outline of the story and shows the story arc. I was encouraged to hear her explain this concept because it is basically what I do when developing a story. It provides a very loose framework that allows me to know where I’m going—which helps eliminates writer’s block—but it is so basic that it also encourages me to be creative with each new scene. I usually don’t know exactly how the scene will play out or what the characters will say or do. I think it helps keep the story fresh.

The two Peachtree books at the top are by my writer friends, Kristen Nitz and Jeanie Ransom, who also attended the weekend retreat. Here are their websites where you can find out more about them: http://www.kwnitz.com/ http://www.jeanieransom.com/